Over Mother’s Day weekend I observed the American Indian festival in Balboa Park where I was struck by the notion that the melting pot myth would fail to assimilate cultures of “non- Anglo-Saxon European immigrants”(Solomon 652). Although the festival is a powwow, the vibrant colors of the regalia of the contest dancers suggest non-traditional, integrated and modern dances that have been taught through other regions. I even noticed a Hopi dancer (from the Southwest) dancing the men’s Traditional Northern dance when he was accepting responsibilities as husband to his Navajo wife. Even though many tribes have been slaughtered to diminishing numbers in the past, many dancers proudly displayed their tribal band or nation on the back of their regalia. To these many different tribes “the myth of the melting pot” would be viewed “different” while being “irrelevant to others” (Solomon 652). While some dancers stood out by proudly displaying their tribe because “one’s own tribe comes first in the order of things,” others simply participate with an unknown number (Solomon 654). To some cultures here at the powwow, “the melting pot is ‘racist’” because it is a long reminder of the imperialistic forces once used to assimilate American Indians.
Solomon, Jack. “Readings in Multicultural Semiotics.” Signs of Life in the USA. Ed. Sonia Maasik and Jack Solomon. Boston: Bedford/St. Martin’s 2009. 647-654. Print.
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